- Title: U.A.R.: HANDICRAFT IN CAIRO
- Date: 31st March 1971
- Summary: 1. GV PEOPLE IN BAZAAR. 0.16 2. SV SHOPS IN BAZAAR (2 SHOTS) 0.32 3. CV ZOOM BACK JEWELLERY IN SHOP WINDOW. 0.40 4. SV PEOPLE EXAMINING JEWELLERY AND ENGRAVINGS ON STALL. 0.43 5. SV INT MEN WORKING IN WORKSHOP MAKING ENGRAVED PLATES (3 SHOTS) 1.01 6. CU MAN USING HAMMER AND CHISEL TO MAKE ENGRAVINGS. 1.10 7. CV ANOTHER ENGRAVING ZOOM BACK TO SV MAN WORKING. 1.22 8. CV ENGRAVING AND SILVER WIRE BEING HAMMERED INTO POSITION 1.36 9. CV CRAFTSMAN CARVING IN SILVER. 1.50 10. CV OTHER CRAFTSMEN CARVING LID OF JEWELLERY BOX. 2.10 11. SV CRAFTSMAN BRAZING. 2.18 12. CV CRAFTSMAN CUTTING PATTERN INTO BRASS PLATE WITH FRETZEL. 2.33 13. CV HIGHLY DECORATIVE VASE. 2.35 14. CV ARTIST PAINTING PICTURE OF WOMAN INTO PLAQUE. 2.43 15. CV MEN MAKING MARQUETRY JEWELLERY BOXES. 2.51 16. SV STREET SCENES SHOPPERS WALKING AROUND ARCADES. 3.02 17. SV PEOPLE GO PAST ON OPEN CART. 3.12 Initials CO.11.55 WLW/AS/CO/12.16 Script is copyright Reuters Limited. All rights reserved
- Embargoed: 15th April 1971 13:00
- Keywords:
- Location: CAIRO, U.A.R.
- Country: Egypt
- Reuters ID: LVA48XV0O8W0B9NPS0VHUP3KP1AL
- Story Text: THE WORLD-FAMOUS CRAFTSMEN OF THE KHAN EL KHALILI BAZAAR IN CAIRO, EXPERTS IN THE FIELD OF INTRICATE OBJECTS D'ART IN SILVER, GOLD, METALS, IVORY AND PEARL, STILL TURN OUT THEIR WORK DESPITE A DROP IN TOURISM AND BUYERS SINCE THE MIDDLE EAST WAR OF JUNE, 1967.
THE SCENE IS A THOUSAND YEARS OLD, AND COULD FORM THE BACKGROUND TO THE STORIES OF THE ARABIAN NIGHTS, AS VISNEWS STAFF CAMERAMAN KEN LUDLOW FOUND WHEN HE VISITED THE BAZAAR RECENTLY. HIS FILM IS INTERESTING COVERAGE OF A BEAUTIFUL, BUT LITTLE-PUBLICISED PART OF CAIRO.
SYNOPSIS: THE WORLD FAMOUS KHAN EL KHALILI BAZAAR IN CAIRO IS A SCENE THAT COULD FORM THE BACKGROUND TO THE STORIES OF THE ARABIAN NIGHTS. IT IS THE LIVING PAST, MODERNISED ONLY BY TOURISTS WITH TWENTIETH-CENTURY GADGETS LIKE CAMERAS AND WATCHES.
THE CRAFT PRACTISED HERE IS ALSO A THOUSAND YEARS OLD AND THE REASON FOR THE BAZAAR'S FAME. FOR IT IS HERE THAT SOME OF THE WORLD'S FINEST OBJETS D'ART ORIGINATE -- EXQUISITE JEWELLERY, FINE SILVER AND GOLD WORK, BRASS AND COPPER CARVINGS, MOSAICS OF IVORY AND MOTHER OF PEARL INLAID INTO BOXES OF THE FINEST WOOD... IF IT IS BEAUTIFUL, AND CAN BE MADE BY HAND, IT CAN BE MADE BY THE CRAFTSMEN OF THE KHAN EL KHALILI.
IN RECENT YEARS, THE BAZAAR HAS RELIED HEAVILY ON TOURISTS TO EARN A LIVING. SINCE THE MIDDLE EAST WAR OF JUNE 1967, HOWEVER, TOURISM HAS FALLEN OFF. BUT IN THE TRUE TRADITION OF THE FINEST CRAFTSMEN, THIS HAS NOT DETERRED THEM FROM TURNING OUT THEIR HAND-WORKED MASTERPIECES. THEY STILL HAMMER, WORK AND SHAP ANY MALLEABLE OR WORKABLE MATERIAL INTO OBJECTS FOR THE CONNOISSEUR OF THE BEAUTIFUL.
THE CRAFTSMEN, PAINSTAKINGLY AND PATIENTLY BRAZING, CUTTING, OR SHAPING - ALWAYS SLOW AND ARDOUS PROCESS--WORK AGAINST A BACKGROUND OF NOISE, COLOUR, AND THE SMELL OF A THOUSAND SPICES BLENDED INTO HEAVY AND HEADY FRAGRANCE. THEY SURELY ARE ARTISTS -- FOR PERHAPS CRAFT, WITH ALL THE SKILL THAT THE WORD IMPLIES, IS STILL TOO LOWLY A WORD TO DESCRIBE THEIR ACHIEVEMENTS. THEIR ART WAS PROBABLY LEARNT AT THE KNEES OF THEIR FATHERS AS SOON AS THEY WERE OLD ENOUGH TO HANDLE A FRETZEL, OR POLISH A PEARL. AND THEIR FATHERS LEARNT FROM THEIR FATHERS, AND SO ON BACK THROUGH THE AGES -- SO THAT WHERE SPACE-AGE MAN NOW BUYS HIS ART, SO ONCE DID GOTHIC MERCHANTS AND ROMAN DEALERS; CARTHAGINIAN GENERALS AND PERSIAN TRADERS. LITTLE WONDER, THEN, THAT A SHORTAGE OF MERE TOURISTS FAILS TO HALT THE EXQUISITE ART OF CENTURIES.
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