SOUTH AFRICA: FEATURE: ZULU WOMEN TAKE PART IN TRADITIONAL RITE-OF PASSAGE 'REED DANCE' IN KWAZULU NATAL
Record ID:
472489
SOUTH AFRICA: FEATURE: ZULU WOMEN TAKE PART IN TRADITIONAL RITE-OF PASSAGE 'REED DANCE' IN KWAZULU NATAL
- Title: SOUTH AFRICA: FEATURE: ZULU WOMEN TAKE PART IN TRADITIONAL RITE-OF PASSAGE 'REED DANCE' IN KWAZULU NATAL
- Date: 1st October 1999
- Summary: KWAZULU NATAL, SOUTH AFRICA (RECENT) (RTV - ACCESS ALL) 1. MV GROUP OF WOMEN DRESSED IN TRADITIONAL DRESS WALKING IN STREET 0.06 2. CLOSE UP OF WALKING FEET 0.12 3. VARIOUS OF WOMEN WALKING (2 SHOTS) 0.24 4. VARIOUS WOMEN WALKING WITH REEDS (4 SHOTS) 0.37 5. SV TWO WOMEN DANCING WHILE OTHERS WATCH 0.46 6. CLOSE UP OF OL
- Embargoed: 16th October 1999 13:00
- Keywords:
- Location: KWAZULU NATAL, SOUTH AFRICA
- City:
- Country: South Africa
- Topics:
- Reuters ID: LVA1RF8P7Q7K0FS6HH2UDK04XV8S
- Aspect Ratio:
- Story Text: It's a ritual that dates back hundreds of years - a
ceremonial rite-of-passage that has withstood the test of
time.
Every September in the South African province of
Kwazulu Natal, thousands of young girls- dressed in their
revealing traditional costumes and bearing long reeds, take
to the streets.
Their mission - to take the reeds to the residence of
the Queen Mother and - according to custom - shield her from
cold winter winds.
Thereafter, the girls break out in a ritual of song and
dance known as the reed dance- or Umhlanga- in the local
Zulu language.
King Zwelithni of the Zulus says the reed dance ceremony
was important when it was practiced during the reign of his
forebearers after the formation of the Zulu nation.
The King regards this function even more relevant today.
It's a tradition that had been discontinued for a while
in the 1970s but was revived in the mid-eighties after King
Zwelithini returned from an AIDS conference in the United
States.
He saw in the reed dance a chance to stem the scourge of
AIDS among his people by promoting chastity and abstinence
from premarital sex.
In a country where up to one in four people are said to
be afflicted with the deadly AIDS virus, the king realised
the role traditional ceremonies could play in combating this
modern plague.
He says "Our forebearers taught us what it meant to be
human and that the important attributes of humanness were
respect, responsibility, chastity, honesty, accountability,
empathy, love, forgiveness, caring for others."
The idea of discussing sexuality within the family was
initially frowned upon in this close-knit society but that's
no longer the case, thanks in part to this spring festival.
Fikile Mhlongo, custodian of maidens, says the event has
always been a part of Zulu history and culture to teach
young girls about right-of-passage, responsibility, pride
and how they should protect their virginity as they become
young women.
Since participation in the reed dance is restricted to
virgins, virginity tests are conducted by community elders,
both in rural and urban areas thrughout the province.
Testing is done on girls as young as four.
Those who pass these monthly tests are issued with
certificates.
Testing is strictly on a voluntary basis especially for
those over the age of 15.
Critics argue this method of testing violates the rights
of children saying even if voluntary, the child is under
pressure to undergo the test for fear of being branded a
non-virgin.
Others disagree arguing traditional rituals such as
virginity tests allow for the early detection of sexual
abuse and teenage pregnancies and that emphasis on
abstinence could alleviate other socio-economic problems
like the escalating number of street children.
Whatever the case, the potential of the reed dance, both
for its cultural promise as well as a bulwark against AIDS,
has not gone unnoticed by other communities.
Some are actually in the process of assimilating the
event into their cultural heritage as well.
In the meantime, the virgins of Zululand continue an
annual festival borne out of tradition but modified to fit
the complexities of an ever-changing world.
- Copyright Holder: REUTERS
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