USA: PREMIERE OF ACTION MOVIE "VERTICAL LIMIT" STARRING CHRIS O'DONNELL, SCOTT GLENN AND ROBIN TUNNEY
Record ID:
788069
USA: PREMIERE OF ACTION MOVIE "VERTICAL LIMIT" STARRING CHRIS O'DONNELL, SCOTT GLENN AND ROBIN TUNNEY
- Title: USA: PREMIERE OF ACTION MOVIE "VERTICAL LIMIT" STARRING CHRIS O'DONNELL, SCOTT GLENN AND ROBIN TUNNEY
- Date: 7th December 2000
- Summary: LOS ANGELES, CALIFORNIA, UNITED STATES (RECENT) (REUTERS) SCU (SOUNDBITE) (English) SCOTT GLENN SAYING: "For me, luckily,. most of my stuff was not blue screen or computer generated anything. It was the real deal being out there, so in a lot of ways my work was a lot easier, I didn't have to wonder, pretend I was on a steep high place with a stiff wind in my face, and it was a 4000 feet drop off to one side or it was icy or there was an ice flow. It was all the real deal, so all I had to do was just react to where I really was." LOS ANGELES, CALIFORNIA, UNITED STATES (RECENT) (REUTERS) SV MOVIE POSTER FOR FILM AT PREMIERE VENUE SV SCOTT GLENN, WHO STARS IN "VERTICAL LIMIT," ATTENDING PREMIERE SCU (SOUNDBITE) (English) GLENN: SAYING: "While I was in New Zealand I became addicted to ice climbing -- climbing vertical ice. Whether I can continue to do it now that I'm not being paid for it or not, I don't know." MV ROBIN TUNNEY, WHO STARS IN THE FILM, AT THE FILM'S PREMIERE SCU (SOUNDBITE) (English) TUNNEY SAYING: "It felt like you were going to war -- loud helicopters and I'd be in my climbing suit and I'd have my gear on and jump in the helicopter, and they were military style helicopters and we'd jump out and you'd have to lay on the ground when the helicopters were taking off so you're not near the blades. And I'd just have my face in the snow and I'm looking down and I'm thinking, wait a minute, isn't somebody supposed to just touch me up, aren't I supposed to have a trailer or something?" SCU (SOUNDBITE) (English) REPORTER ASKING CHRIS O'DONNELL'S WIFE CAROLINE IF SHE WAS SCARED ABOUT HIM HANGING OFF CLIFFS, TO WHICH SHE REPLIES "I was -- I didn't see any of it and I don't think he told me all of it but . . . TO WHICH CHRIS O'DONNELL...
- Embargoed: 22nd December 2000 12:00
- Keywords:
- Location: LOS ANGELES, US AND VARIOUS FILM LOCATIONS
- Country: USA
- Topics: General
- Reuters ID: LVA9ATP0NY5O2Z9ZB8WQWZCTTOPA
- Story Text: "Vertical Limit" is a high-altitude thriller spiked with action scenes and perilous moments and stars Chris O'Donnell, Scott Glenn and Robin Tunney as members of a climbing team facing overwhelming odds in their ascent of the Himalayan peak K2.
Once again proving his skill with straightforward, physical filmmaking (previously demonstrated in ``GoldenEye'' and ``The Mask of Zorro''), director Martin Campbell engages the movie-goer in sequences that demand inventive visual solutions for the staging of intensely dangerous situations.
On the sheer red cliff of a towering butte in Monument Valley, brother and sister Peter and Annie Garrett (Chris O'Donnell, Robin Tunney) are doing some technical climbing with their expert climber dad, Royce (Stuart Wilson). In a horrible accident, they get tangled up with two other mountaineers, leaving five adults dangling from a single rope.
The two strangers quickly plummet to their deaths and, after a few moments of gasping indecision, Royce warns that the line won't hold long and demands that his son cut him loose to have any hope of saving himself and his sister. Faced with this impossible but urgent dilemma and ignoring Annie's hysterical protests, Peter obeys his father.
Three years later, Peter is a National Geographic photographer, shooting snow leopards in the Himalayas. In short order, heup at a Pakistani military installation, where some very big guns point straight toward India, and then at a K2 base camp, where he has a delicate reunion with Annie.
In the intervening period since their father's death, Peter has abandoned mountaineering, while Annie has become a hotshot climber and Sports Illustrated cover girl whose current gig has her accompanying billionaire entrepreneur Elliot Vaughn (Bill Paxton) on a rapid ascent of K2.
Setting up a luxurious compound , the arrogantly confident Elliot has surrounded himself with the best team that his limitless money can buy, including expert climber Tom McLaren (Nicholas Lea), who is supposed to lead Elliot to the summit of the world's second-highest peak in time to coincide with a fly-over of a plane from Elliot's new airline. His commercial motive for the climb makes the businessman the nominal villain, a status further amplified by the selfish way he treats his colleagues when the crises commence.
At 26,000 feet when severe weather hits, Elliot, Annie and Tom end up inside a deep cavern that shortly becomes sealed by an avalanche. With just 36 hours until his sister and the men will certainly expire, a galvanized Peter takes charge of the rescue attempt, quickly assembling a team of diverse and sometimes strange characters who stand only an outside chance of reaching the reckless climbers.
The crew includes the supermodel-like medic and climber Monique (Izabella Scorupco), upright Pakistani porter Kareem (Alexander Siddig), wild Aussie hippie brothers Cyril and Malcolm Bench (Steve Le Marquand, Ben Mendelsohn) and hard to figure out hardcase Montgomery Wick (Scott Glenn), a long-ago friend of Peter and Annie's father who's been a mountain recluse since his wife died in an incident that gives him a secret personal agenda against Elliot.
Not only does this ill-assorted bunch have to rush up what may be the world's most perilous mountain, but must do so carrying canisters of nitroglycerin, which will enable the rescuers to blast through to the snow and rock that enshroud the trio. Just the slightest undue jostling or contact will make nitro blow.
This narrative back story ratchets up the tension and puts across scenes of intense peril and imminent death with visceral impact. First of these has a helicopter taking the six crew members up as high as it can to a cliffside drop-off at which the climbers, each packing nitro, must jump clear while the chopper lurches dangerously about in the thin air.
This is nothing, however, compared with the next action sequence, which contains what may be the shot of the year: As Cyril slides helplessly down a severe slope, the camera descends at breathtaking speed with him at ground level, then continues way out over a yawning gorge as Cyril just manages to hook his pickax into the ice, leaving him dangling from the edge with only the faintest hope that Monique might be able to rescue him.
Many of the toughest scenes were accomplished with an assist from blue-screen shooting, traveling mattes, models, soundstage work and computerized visual effects, the film has a predominantly real look and feel. Working on Southern Alps locations in New Zealand allowed the filmmakers to convincingly match mountain vistas shot in the Himalayas.
"Vertical Limit" opnes in North America on December 8. - Copyright Holder: REUTERS
- Copyright Notice: (c) Copyright Thomson Reuters 2014. Open For Restrictions - http://about.reuters.com/fulllegal.asp
- Usage Terms/Restrictions: None